Work in Progress

An inside look at the materials, the process, and the travel destinations that shape and inspire our work.

How Heavy Feels
Weight appears on every bag spec sheet as a single number. But where that weight lives, and how it transfers to your body across a long day in transit, is... Read more...
The Wet Test
Water resistant and waterproof appear in product copy as if they mean the same thing. They don't. A note on DWR, hydrostatic head ratings, and why the distinction matters when... Read more...
Cut Again
The first sample is never right. That's not a problem, it's the point. A look at how working directly with fabric, stitch, and construction is where new shapes, functions, and... Read more...
Committed to Paper
Keeping notes in apps is efficient in the sense that things are findable. What gets lost is the act of carrying ideas, and the difference between storing something and holding... Read more...
Packed Tight
The problem with packing isn't weight, it's volume. A look at how the compression zip, roll-top, and other approaches tackle the same problem — and why battery-powered vacuum compression is... Read more...
Paper Weight
Most notebooks are designed around how they look closed rather than how they feel in use. A note on the decisions behind the Interface Notebook and why each one starts... Read more...
Signed on the Inside
Most bag linings are dark. The alternative makes the inside usable as a surface, not a void. A note on why Canard is evaluating pale ripstop nylon in Canard blue... Read more...
The Strap Problem
The interchangeable strap has become its own design category, with climbing rope, quick-release hardware, and over a hundred configurations now available. A look at what's happening and what the material... Read more...
Second City
Twice a year for more than twenty-five years, Hong Kong. Canard founder's dispatch from last week: suppliers, boutiques, carry hardware, and the places that make the trip worth making. Read more...
The Temperature of Grey
Choosing a neutral isn't choosing not to choose. A note on how Canard approaches colour decisions across a carry system, and why the palette has to work as a practical... Read more...
Nothing in the Hand
Our current thinking on the Canard travel jacket: 7-denier Pertex Shield in a 2.5-layer construction with fluorocarbon-free DWR. A note on why the fabric weight and the waterproof rating aren't... Read more...
Hold the Line
Designing a compact umbrella properly means making decisions most of the category skips. A note on rib construction, canopy specification, and why the details that hold it together are usually... Read more...